Two new covers

August 16th, 2010

Two covers I completed recently, one for Health Service Journal and one for Nursing Times. Both of these were commissioned and directed by Judy at Emap, who had a clear concept of what she wanted for each cover, so my role was really to work on sketches following her instruction and finish up the artwork once I had hit the nail on the head.

Nursing Times - learning disabilities cover illustration
Nursing Times cover. I did the illustration as a linocut, the text handwritten in Adobe Illustrator.

HSJ - PCTs cover illustration
Health Service Journal cover. This was created mostly in Adobe Illustrator. I exported the finished vector artwork to Photoshop and added my own print textures.

HSJ - PCTs cover illustration detail
A detail of the HSJ cover.

Thanks to Judy at Emap for these fun commissions!

A decade in drugs

July 19th, 2010

Here’s a cover I did last month for Druglink’s 10th anniversary issue. It was fun to play around with the text, squeezing all those words in there and fitting fun illustrations in the gaps. Hand-made text is something I would like to work on a lot more in my illustration work in the future.

Druglink 10th Anniversary cover illustration

Exhibition review

July 12th, 2010

The first Buxton Art Trail appears to have been a success. The town was buzzing, everyone we dropped in on said how busy they had been and it was really great to see families and groups of friends walking around town using the brochure and map I made to follow the trail. Thanks to everyone who visited our exhibition and bought prints – the exhibition continues up until 25th July, there are plenty more prints for sale and more creative goings on around Buxton. The show has been reviewed already by the Fringe –

“In 2009, the newly opened Apertures caused a stir with its first Fringe exhibition showing imaginative new artworks from successful Buxton-based illustrator, Kelly Dyson. This year the High Street shop is exhibiting again, with Dyson joined by local artists Martin Olsson and Thomas Hope, using his artist’s moniker of Mister Hope.

Where last year the mood was dreamlike and faintly disturbing, this time it is more humorous with Martin Olsson almost stealing the show with his large colourful, cartoon-like canvasses, one displaying a kind of vertical cross-section of humanity ranging from devils at the bottom to an angelic multitude at the top. In his refreshing statement, Olsson says he ‘resists subtlety in favour of clarity and humour’. He favours strong outlines, filled in with colour and enjoys subverting symmetry in pictures such as ‘Fish’, in which almost identical green fish in rows become progressively more obese. Olsson’s interesting work has been picked up by the Buxton Festival and here you can see the original artwork for the Festival programme’s illustration for All the Kings’ Men.

Mister Hope describes himself as a ‘large, hairy illustrator’ who was ‘once eaten by a sea creature and spat back out’. Perhaps that is why there is a Monsters Inc. feel to his friendly illustrations. This is art that does what it says on the tin. Hope says his well-executed paintings are ‘simple, cute and don’t always make sense’. I would go along with that. They certainly made me smile and it is fascinating how pictures combining night-time, small children and monsters can end up so unthreatening.

As for Dyson, some of Dyson’s magical, faintly feral compositions are back up but they are joined by more neutral recent illustrations for the Guardian Weekend and Guitarist magazine. The big move for Dyson has been away from digitally created work to hands on illustration and linocuts. What is exhibited here is instantly commercial – for example the picture of different hats – but I can’t help feeling there is more to be unleashed from his imagination. The print featuring upside down boy, dog and squirrel with cans on their heads is I’m sure only the tip of the iceberg in terms of what is going on in Dyson’s mind.

Part of the Buxton Art Trail, this intimate show is well worth your time. One last thing – don’t overlook the framing. Hugo Edwardes’s handmade frames for Dyson’s work are made from recycled materials and probably artworks in their own right.”

Stephanie Billen – from buxtonfringe.org.uk

Rose

July 8th, 2010

This is a print I’ve just managed to squeeze in late last night and this afternoon. The rose itself is an element of a gig poster I am working on, but I’m really happy with how it looks on it’s own, so I decided to run a few off on some off-cut bits of paper I had lying around.

I bought three roses from the florist down the road yesterday, sketched one and worked the rough into my poster design, then printed out a reversed image and transferred it onto lino with carbon paper. Then it was just a simple matter of cutting, inking and printing. I have another couple of blocks to cut for other elements, as well as some handwriting to do, before it all goes back into the computer to be comped into the poster design which I will then separate into three colours for screen printing. I’ll post updates on that as it progresses.

Cutting
Cutting the design into the lino.

Production line
My production line.

Rose
“A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves.” - Clive Bell

Hi! Have you guys met?

July 7th, 2010

Hi! Have you guys met?

I was wrapping prints for about six hours last night I think (with a short chippy break…), but it was worth it. We were hanging the exhibition until gone midnight and I think Ellis, my brother who runs the shop, probably has plenty more to do! The beer was flowing but unfortunately I had to stay sober to drive home :( Here are some pics from last night!

Exhibition
Framing by Hugo Edwardes.

Thomas Hope
Mister Hope hard at work.

Intelligent conversation!
Martin Olsson, Natalie kirk and Ellis Dyson.

Buxton Art Trail & Festival Fringe

July 6th, 2010

Buxton Art Trail brochure design

I’m out later this afternoon hanging prints for an exhibition as part of Buxton Festival Fringe. The Fringe has been running in Buxton since 1980, showcasing dance, drama, music, poetry, comedy, film and exhibitions as part of the festivities.

However, there is a feeling that the visual arts are under-represented on the whole, so a handful of motivated local artists formed a group and planned the first official Buxton Art Trail to run one weekend as part of the festival. From the brochure – “The Trail is a rare opportunity to meet local artists and craftspeople, discuss their work, and in some cases watch them doing it.” There are artists opening up their homes for the weekend and local businesses have kindly donated exhibition space, as well as window displays featuring the artists on the trail. There’s a great atmosphere in the town at the moment and it’s great to be a part of it. The Trail itself runs from 10th-11th July, 10am-5pm, the brochures can be picked up around town. The Festival Fringe runs from 7th-25th July.

The Buxton Art Trail brochure above was designed by myself, the cover artwork by local painter, BFT de Cent.

So, the exhibition I am taking part in is called ‘Hi! Have you guys met?’. The venue is Apertures, a framing shop run by my brother, Ellis. The exhibition features the work of three local illustrators – Martin Olsson, Mister Hope and myself. I’ve had a few linocuts creatively hand-framed by my friend, Hugo, for the show. I’ll also be selling a bunch of unframed linocuts, and, of course, my brother offers a framing service in the shop!

Bedsider

June 21st, 2010

Here’s are a selection of illustrations from a job I have been working on for a while that I’ve been looking forward to putting on here. Working under the direction of Jenn Maer at Ideo in San Francisco, I was commissioned to produce 24 illustrations for a website they have produced called bedsider.org, which is a “free support network for birth control operated by The National Campaign to Prevent Teen and Unplanned Pregnancy”. Generally, the website aims to help young women get on, and stay on, birth control. The tone is sex positive, open, casual and friendly – and, importantly, non-judgmental.

There were certain limitations, the main technical one being that, although I was producing images for web use, the client might want to use the illustrations for print use in the future, so they had to be produced as scalable vectors. We also decided to really limit the palette to the colours used on the Bedsider website. In general, they needed to be clear and informative, whilst trying to avoid letting them become boring and devoid of style.

I’m really pleased with how they turned out and had a great time working on them. It was also a pleasure working under the art direction of Ideo. The illustrations can be seen here: bedsider.org/methods (website requires registration).

Female condom
The patch
Condom
Female anatomy
The sponge
Cervical Cap

And here’s a screenshot of one of the illustrations in place on the site:
Bedsider

The Inventor’s Handbook

June 17th, 2010

These illustrations have just been published in Popular Mechanics magazine for a multiple page feature on how to become an inventor. They were used at the foot of the page to show highlights of invention. At only 3cm high, the challenge really was to keep them simple enough to be easily read, but to make them funky enough to look cool in the feature. I tried a couple of different options stylistically to begin with before the art director decided on this simple drawing style in a limited colour palette. I did these in Corel Painter.

Edison
Tesla
Zamboni
Knight
Dyson
Overworked

And here are the couple of other stylistic variations I tried at the start:
Knight
Tesla
I quite like both of these, but at 3cm high, they are just too subtle in their detail.

Screen printing

May 28th, 2010

I’ve been attending a screen print poster course at Hot Bed Press for the last month, Tuesday just gone being the last day. I’m really happy with the course and I love the process, but it’s a bit of a learning curve so I decided to get over to the studio to do a print as soon as I could in order to go over the whole process again and hopefully commit it to memory. My band has a gig coming up at a local venue, so I figured that was a great excuse to print some posters. I just did a one screen print as the main thing I wanted to concentrate on was preparing the screen (washing, degreasing, applying emulsion, exposing the image, etc). Anyway, it turned out perfectly and I’m excited to think of what I can do with it in the future – hopefully I can fit screen printing into my illustration practice if I get the right commission.


The finished poster


Screen prepared and ready for ink.


First print!

Oh by the way, the ‘Orc Pit’ is a local venue – shortened from the Orchestra Pit. Pretty cool huh. Here are the bands:
lowlow.co.uk
myspace.com/elliottmorris

How to Win in a Wild West Shootout

May 28th, 2010

I did this illustration quite a while ago now, but what with moving home and office and all that, I never got round to putting it up here. This was a commission for Popular Mechanics for an article about lab tests by researchers at Birmingham Uni to see who draws faster in a gunfight. Apparently, the second person to draw moves faster, but the advantage isn’t enough to make the difference in a real gunfight! The artwork is a combination of ink, lino and photoshop.

Gunslinger illustration for Popular Mechanics

I was also tasked to create a couple of icons for other small articles on the page. Initially I kept the same style so the page would work well as a whole, but the art director felt that they weren’t working, so I tried something slicker. In the end they used photographs, but I really like the two hand drawn icons so I wanted to include them here. No doubt I will use them somewhere.

Small magazine icons